#1886 Two Moon Junction (1988)

A few of the most painful experiences during watching all these movies have been with those “daring”, “intimate” and “passionate” erotic dramas that cause endless amount of cringe to watch through. Knowing this was going to be a case with Two Moon Junction as well, I honestly weren’t looking forward to this one.

To my surprise, not only is there kind of a movie and drama going on here, but the erotic tension of the movie is actually high on this one, thanks to great casting with Richard Tyson and Sherilyn Fenn, both on the very top of their game. Tyson as the rugged carnival odd-jobber with his piercing gaze wins over his love interest and the viewer alike at the first look, and has just the right amount of that free spirit and danger to sell the character with ease.

80s-o-meter: 75%

Total: 77%

#1886 For Keeps? aka Maybe Baby (1988)

Two high school seniors get pregnant, decide on keeping the baby in For Keeps?, a drama movie riding heavily on clichés and predictable plot lines.

While the struggle that takes place as they have to both give up their youth, dreams and ultimately love for each other is likely what would happen to many, I kept on hoping the movie to take another, less wandered path.

Molly Ringwald was on top of Hollywood’s A-list at the time, and she is once again great (as in: sincere and believable) in her role, no doubt about it. She’s so good that For Keeps? ultimately feels just too small and insignificant for her.

80s-o-meter: 85%

Total: 51%

#1885 A Stranger Is Watching (1982)

I’ve loved Rip Torn’s work from the 80s to date, so seeing him in this earlier role as a kidnapper in A Stranger Is Watching was a mixed bag for me.

Behind his grumpy facade for me there was always something endearing in Torn, but there’s nothing of that in this role. In fact, the role of a kidnapper feels like a side role that anyone could have played, and I kind of wished they had as seeing him in the role was more of a distraction than enjoyment.

Other than that A Stranger Is Watching is a bit outdated, but still gripping thriller worth watching. It plays out a bit differently from other similar movies, and the steamy bowels of New York metro tunnels serve well as the location that the camera and viewers alike love.

80s-o-meter: 71%

Total: 63%

#1884 Dirty Dancing (1987)

Dirty Dancing I presume is a movie that everyone who lived on or are interested of the 80s know of. I definitely had been exposed to the concept, that it starred Patrick Swayze, and kind of put the dots together to know the movie was about dancing.

Expecting this to be a modern tale of ambitious young dancers trying to make it in a big city, what I did not know was that Dirty Dancing is a nostalgic period picture taking place in the summer of 1963 when a young girl nicknamed Baby travels to mountain resort with her parents to spend the summer holiday there. The upper middle class girl then gets involved with the dancers hired as staff to entertain the guests, and is shown a mambo like “Dirty Dancing” the staff gets involved in their free time, after which Baby hits it up with the dance instructor Johnny.

In the end this was much lesser of a movie than I had anticipated. The dancing does not look that impressive, the two main leads seem to have zero chemistry between them and I also totally missed the point of the plot, especially how it all concludes at the end as they put on a show for a few campers. Is it Baby’s coming of age story, about her finding her own way and breaking social barriers? Or is it just about some nice nostalgic vibe of the movie, and watching the dreamy Patrick Swayze dance around?

Your guess is as good as mine.

80s-o-meter: 75%

Total: 55%

#1883 Variety (1983)

An indie film depicting young woman working at the door of an adult movie theatre in Times Square who after awhile develops a tempting interest in the world of porn.

In a crossing plot line she accepts an invitation to join an older business man who visits the shows, and finds out he is involved in shady business that she stars to investigate.

Shot almost entirely during nights, the scenes of nocturnal New York work for the advantage of Variety and the atmosphere is the strongest fuel that keeps the movie running. Take the same concept to somewhere else and shoot it during the day, and there wouldn’t be much of a movie here.

80s-o-meter: 60%

Total: 45%

#1882 Staying Together (1989)

In a small southern town a father of three brothers sells the family chicken restaurant, consequently triggering a chain of changes in the lives his sons.

Staying Together is built upon numerous conflicts, of which few feel relatable and many less so. This also goes with many of the intentions either the writer or the director had for the story or the main characters; Staying Together is a movie busy being dramatic, but more often than not that drama fails strike the right chord with the viewer.

Between the brothers the movie does have its moments – but much of the sentiment, feeling and intentions that might have been there in the storyboard quite unfortunately remain unfulfilled and unmet.

80s-o-meter: 50%

Total: 48%

#1881 Teen Vamp (1989)

An unpopular nerd turns into a cool cat leather-jacketed vampire after getting bit by a vampire prostitute in a shoelace budgeted horror comedy Teen Vamp.

This one’s is a feeble, amateurish attempt if I ever saw one. Some of the similar hobby horror movies manage to turn the underdog setting to their advantage either by being over the top in either the concept or the gore, but Teen Vamp remains amazingly tame until the very end.

Teen Vamp is one of those amateur movies where I bet the the team enjoyed shooting it more than the viewers enjoy watching it.

80s-o-meter: 60%

Total: 17%

#1880 Beverly Hills Brats (1989)

Right off the bat: is Beverly Hills Brats a good movie?

Well, it could be if you are 6-9 years old, but for myself I cannot really say. The movie is rated as PG-13 most likely due to some foul language, but really feels like targeted to kids. It is kind of a shame since the necessarily building blocks for a satire of filthy rich Beverly Hills family seems to be present, but put together in a very dull and predictable way. Again, as the movie was made for infants in mind.

Martin Sheen as the cosmetic surgeon does his best to keep the movie alive, while Peter Billingsley performs his trademark role straight out of Christmas Story. Probably the funniest side of the movie is seeing totally indifferent Burt Young sleepwalk through the entire movie.

80s-o-meter: 90%

Total: 38%

#1879 Field of Dreams (1989)

A sports movie for those of us who dislike sports movies, Field of Dreams is a fairytale for both adults and kids alike.

No doubt about it; the story itself is totally unbelievable. But like the lead character played by Kevin Costner we find ourselves really wanting to believe in the same silly dream. This is in no way an easy feat from the director Phil Alden Robinson to pull through and the bold gamble put into this movie could have backfired in a horrible way.

Simply put: I loved Field of Dreams, and I especially loved the way way still found it in me to believe in such magic.

80s-o-meter: 65%

Total: 90%

#1878 Matewan (1987)

Another quality historic drama here!

Matewan depicts events that took place in a small coal town in West-Virginia back in 1920 when the workers who unified by young union organizer go on a strike against exploitative mining company and their gun-wielding corporate henchmen.

The movie looks and feels fantastic, and with the modern transfer it could still pass in any theatre. The story is told with seemingly realistic historical detailing, and it manages to bring the viewer very close to the subjects and grasp the feeling of them sitting on a powder keg.

80s-o-meter: 2%

Total: 83%

#1878 Mrs. Soffel (1984)

Here’s another thing that I really enjoy: a movie based on real life events I was not aware of before, but that prompt me to really dig deeper and read more.

With Mrs. Soffel these interesting events unraveled back in 1902 when Kate Soffel (Diane Keaton), the wife of the warden of Allegheny County Jail befriended Jack (Matthew Modine) and Ed (Mel Gibson) Biddle, and ultimately falls in love with Ed and helps them to escape the hanging.

The movie seems to document the events somewhat faithfully and interesting fashion, but what I felt like missing out was really getting to understand Mrs. Soffel; her thinking, motives, fears and hopes, as speculative as they might have been.

80s-o-meter: 3%

Total: 70%

#1877 Violets Are Blue (1986)

A romantic drama starring Kevin Kline and Sissy Spacek, Violets Are Blue (title sometimes followed with extra ‘…’) depicts a long lost young love coming into life again as the Gussie (Spacek) returns to her home town for a brief vacation. Time has passed and lives have takes much different turns since the couple last saw, but they soon find themselves in a situation where the relationship cut short continues right where they left it some 15 years ago.

I admittedly had difficulties adjusting myself seeing Spacek in such a different role from her usual range, but both Spacek and Kline managed to sell the relationship to me with ease, and it was a pleasure seeing the two working together on a silver screen. The movie’s overarching theme of hard choices we make in life resulting in consequences with live with was also fully delivered, and relating to the situation the lead characters found themselves in was very relatable.

The movie itself did not grasp me on the same level than its theme did, and there were certain aspects and scenes in the movie that for me dragged the overall experience down from great to OK.

80s-o-meter: 83%

Total: 74%

#1876 Blue Vengeance (1989)

Underdog time! An (almost) one man project by J. Christian Ingvordsen, Blue Vengeance depicts a cat and mouse hunt between a rogue cop (Ingvordsen himself) and a psychopathic killer (Mark Trax) shot in a guerrilla style on the streets of New York.

And unlike many similar low budget movies, the team has really put some love in thought into this one and looks good, and also credible in a cool kind of way for which also the memorable antagonist played by Mark Trax contributes, and there is a certain similarity between the the character he creates here and Jackie Estacado, the main character of The Darkness comic series (without the mask, that is).

Blue Vengeance is an uneven ride – but also very refreshingly different from the main stream cinema and definitely one of those rare cases where a shoe lace budgeted action horror manages to better a sizeable portion of its multi million budgeted counterparts.

80s-o-meter: 87%

Total: 82%

#1875 Spiker (1986)

If this was 80s, Spiker had been as massive success and I was the editor of Mad Magazine, I would have mischievously named the parody a “Stinker”. But, in this reality it’s 2024, and nobody in this world has ever heard of Spiker.

I have to give it Spiker that at least it is a bit different than your basic sports movie. But in this case it means it’s bit of a mess of elements from beach comedies, weird plots of the team travelling around the globe, trying to make it the national Olympic team and helping people behind the iron curtain. And then some stock footage of real USA volleyball team competing.

And then it suddenly ends.

80s-o-meter: 72%

Total: 28%

#1874 After School (1988)

This is not a movie review, but a PSA. I was fooled by the luscious poster of After School, that seems to promise a light-hearted high school drama or comedy and address this as a warning for others to steer as far away as possible.

What the movie offers instead is a high school student falling in love with a catholic priest, who then struggles between his faith and carnal desire. And boy is it a drab of a plot and presentation. There’s little credibility in the love affair itself, and most of the movie pictures the permed, curly haired priest wandering around in distress.

Additionally, the movie incorporates flashbacks to prehistoric times, presumably to draw parallels with the Garden of Eden. However, these scenes seem more like filler for the otherwise brief movie and a means to include gratuitous nudity.

80s-o-meter: 70%

Total: 3%

#1873 Moonstruck (1987)

I usually don’t force the family into watching the 80s movies – this is purely my personal project – but as they wished something lighthearted for the Saturday night and Moonstruck was available on Prime I decided to go with it as I hadn’t yet seen the movie myself.

And how wrong could it go? After all the movie stars Cher, Danny Aiello, Olympia Dukakis and Nicolas Cage, and was nominated to six academy awards, winning in three, bagging her first Oscar. But, we all found the movie to be a bit of a bore. Everyone seems to be quite tired in what they do and the pace of life is tediously slow. Not only does the love affair between Cher and Cage feel contrived, but so it the former relationship with Danny Aiello’s character, as is how Aiello handles the climatic twist at the end. Artificiality aside, there’s only one small romance – that of the mother – that evokes any emotions.

Also the humour did not really find its target (although the setup could have lent itself to many delicious comedy situations), and the best laughs you can get out of this movie is Aiello forgetting his suitcases for three times in a row.

80s-o-meter: 85%

Total: 41%

#1872 Full Moon in Blue Water (1988)

I love it when a movie gets the mood right. Love it to bits.

Such is the case with Full Moon in Blue Water, a small drama comedy taking place in Texas Gulf Coast on a small, worn out Diner bar run by Floyd (Gene Hackman). Floyd has lost his wife and the will to go on with his life, and remains unwelcoming to Louise (Teri Garr), who sees something in this stubborn old man. Seeings these two clash before coming together would have been more than enough in the right hands to create a solid romantic comedy, but for some reason the writer Bill Bozzone insists on adding unrelated twists to the story in the form of a dim-witted janitor two messes up bad, and then messes up even worse trying to cover the mess.

Even with the apparent problems with the writing, Full Moon in Blue Water is a movie that invites one the share a moment with the people at the Blue Water Grill. And that moment felt too brief, as I could have hanged around just a little bit longer.

80s-o-meter: 87%

Total: 77%

#1871 Another Chance (1988)

A womaniser has everything, wants more, and ultimately loses everything in a fly weight comedy Another Chance.

On top of being quite easy to watch, the movie portrays it main character as a soap opera star, whose life (and the whole movie) becomes a soap opera of sorts. The plot includes one too many dream sequences, but other than that Another Chance is not a bad way to spend 90 (brainless) minutes with.

80s-o-meter: 87

Total: 65%

#1870 Tricks of the Trade (1988)

I had consciously decided to exclude made-for-TV movies from my reviews (partly because many of them lack posters), but this one inadvertently escaped my notice—and, surprisingly, I was quite content that it did.

Tricks of the Trade stands out as one of the superior made-for-TV movies, where the constraints of a limited budget aren’t glaringly obvious, presenting a film that holds its own among B-list ’80s comedies. The narrative also has compelling elements: a seemingly perfect Beverly Hills marriage comes to a shocking end when the husband is murdered while visiting his secret prostitute girlfriend. Now facing danger, the unlikely duo joins forces to unravel the mystery.

The plot cleverly twists the classic cop movie trope, pairing two vastly different characters forced to tolerate each other and collaborate to outsmart the villains. For the most part, this dynamic is effective. However, there was potential for this to be developed into a theatrical release with somewhat sharper writing and I felt the writers didn’t fully exploit the comedic opportunities presented by the contrasting backgrounds of the two leads. As a result, the humour only hit the mark half of the time for me.

80s-o-meter: 90%

Total: 75%

#1869 Smorgasbord aka Cracking Up (1986)

Before Jim Carrey’s rise to fame, I often heard comparisons how Jerry Lewis was the true monarch of physical comedy. Upon watching some of Lewis’ work online, however, I remained unconvinced and thus was not particularly eager to delve into his comedies from the 1980s.

As it turned out, my experience with Smorgasbord (or Cracking Up as it’s more widely known) was even more disappointing than anticipated. The film showcases Lewis in a series of physical mishaps, including a prolonged scene where he comically struggles to get up on a sofa, occupying what feels like most of the movie’s running time.

The remainder of the film is peppered with disjointed, lackluster gags that seem to bear no relevance to the overarching narrative.

80s-o-meter: 60%

Total: 7%