One of the most hard to watch movies I’ve seen to date, The Burning Bed is a gruesome depiction of a domestic abuse downward spiral.
Being based on actual events, the movie does a terrific job in putting into concrete how the abuse starts in small, almost innocent baby steps that are easy to put aside. It also depicts exceptionally well the manipulative side as the abuser always finds a justification and forgiveness for their acts.
This is one of the rare cases where it doesn’t make much sense mentioning the made-for-TV origin of the movie was it easily bests the vast majority of theatrical dramas in its genre. Farrah Fawcett’s performance is flawless, and my hat is off to Paul Le Mat for his courage of accepting such a role. The events of the movie cut so deep that I might never look him the same way again.
Another made-for-TV movie with a super interesting premise, Resting Place takes place in early 70s as an US Army Major (John Lithgow) arrives to a small souther town to with a body of young deceased African-American sergeant and soon finds out the family is denied of his burial on the graveyard reserved for whites.
When everything else fails, the major turns out to officials, local newspapers and finally his team, who to his surprise seem to keep shush about the actual events leading to the sergeant’s death.
Resting Place is one of those made for tv movies that manages to better 90% of the movies out there, and easily earns my recommendations for watching.
I’m not quite sure what to do with all these made for TV movies of the 80s. On the other hand, watching through all of them is not at all what I signed up for, but with gems like Death of a Salesman how could I possibly pass them up?
Based on the brilliant 1949 play of the same name by Arthur Miller, Death of a Salesman transfers nicely to the TV format thanks to great casting including Dustin Hoffman, John Malkovich and Charles Durning – and in this case specifically to the TV as the production values themselves are a far cry from a feature film.
If you’re new to the play, Death of a Salesman is one of the better ways to get acquainted with the story and its timeless themes of the (false sense of) pride, delusion, American dream – and falling short of it.
Roots was a TV historical miniseries written by Alex Haley depicting the story of his family as they were brought as slaves to America from Africa, originally released in 1977 and a continuum in 1979 as another miniseries.
Almost a decade later a made for TV Christmas special entitled Roots: The Gift was made and premiered on ABC on December 11, 1988. Here we see young Kunta Kinte taking his first rebellious steps as a slave, not accepting the western name and his new status, and starts plotting on escape.
Although labeled as one, the movie does not rate high as a Christmas movie – many ordinary movies not titled as Christmas movies have a much bigger amount of the festivities present. But it does fare fairly well as a movie dealing with themes of empowering slaves who have never experienced freedom, as well as depicting the inner conflicts of the slave owners, some of who have started question of the ethics of enslaving men.
An elder aristocrat woman looks forward to uniting her family for the Christmas while fighting his son on the court over the control of the family company and assets in Christmas Eve, a made for TV movie that premiered on NBC on December 22, 1986.
Christmas Eve is everything you’d expect a made for TV movie to be; you would not be happy to go to the cinemas to watch this one, but would probably not mind having stuck in front of a telly during the Holidays to spend the 90 minutes with it while sipping some eggnog.
The Trouble with Spies was originally shot in 1984 as a made for TV movie but released three years later as a theatrical release. But make no mistake, this spy comedy looks and feels very much like your average early 80s TV movie.
Special Agent comedies have been already done to death by 1984, and The Trouble with Spies is really nothing more but yet another poor man’s Pink Panther copy. There was two upsides seeing this movie, first one being seeing Lucy Gutteridge (who ended up mostly in made for TV movies) starring in another movie besides Top Secret! – a movie I’ve seen about gazillion times as a kid.
Another upside? That adorable guard dog towards the end of the movie.
The prize for the most positive surprise of this Halloween goes once again to a made-for-TV movie.
Unlike the contemporary slashers, being a TV movie Dark Night of the Scarecrow can’t rely on gore or nudity so it has to make up for it with smart editing, suspense and atmosphere.
Dark Night of the Scarecrow is not particularly 80s horror movie, owing much more the classic black and white scary stories – but it stands out in a positive way for that very reason.
Unlike many other crime movies, The Executioner’s Song doesn’t go out to glamourise the killer or the criminal life style and handles its subject in a way that seems semi-documentary at times. Gilmore is pictured as a complex, short-tempered man who often resorts in violence and even in the passing moments of regret he still maintains his ominous, possessive and obsessive presence.
Tommy Lee Jones makes the best out of the role, easily outperforming the movie itself.
The Day After portrays a nuclear war between the two cold-war giants USA and Soviet Union, and the effects there after. The initial setup establishing a Kansas site of nuclear weapons works and the movie escalates in an interesting way to its nuclear holocaust peak, but the events after that – as horrid and graphic as they may seem – just feel much too staged and phoney.
Set design is pretty impressive for a made for TV movie and could’ve partially passed for an actual feature film. The same cannot be said about the special effects and the make-up where the lack of budget really shines through. There’s an impressive array of actors involved for a made for TV movie, but here they don’t really add up any additional value to the movie compared of going with some no name actors. The movie is also too long at 120 minutes of which a good 40 minutes could’ve been left in the cutting room floor to save us from many of the scenes that drag on for much too long.
The Day After is a movie made to touch and to shock, but its melodramatic, soap opera feel to it plain prevented me to get really emotionally involved in it. The grim and hopeless Testament, released the same year, portrays the devastating effects of a nuclear war in a more subtle but realistic and powerful way.
Based on the real life events, the movie is an interesting look into the life of an addict, and still as topical as it was back in the 1920. Production quality wise the movie is definitely one of the better made for tv movies, and the era is well established. James Woods – whom I’ve really grown to like only recently – plays the lead convincingly, but remains a far too distant character to the viewer to adapt to. JoBeth Williams thankfully provides a much more natural object to identify with in her role as the loving, caring and mentally exhausted wife at the end of her tether.
Like the most made for tv movies, this is no roller coaster ride, but if the slow pacing doesn’t scare you, My Name Is Bill W. definitely rates as one of those rare watchable period pictures.
Ahh, christmas – the time for forgiving and the new beginnings. But as the old vagabond returning to his grown up son’s for the christmas soon finds out, forgiving and starting anew can sometimes be a challenge.
The old man may not have any problems winning over the hearts of his grandchildren, but it’s his long neglected son that has understandably a hard time letting it all slide. The viewer is on the edge here as the gramps kind of wins our hearts over by making an effort – to best to his capabilities – but he never seems quite ready to really make an actual commitment to his son.
Being a christmas movie, A Hobo’s Christmas is taking place in that special universum where the drifters don’t booze, nor suffer from mental problems, but instead join together for a jolly little song and even pitch in for creating the best even christmas meal. But that’s beside the point, and the interesting story between the neglected son and his father is still a solid backbone that carries the movie. Tension between the two is kept up until the end and old wounds seem very hard to heal – like they would be.
Darn it. I never expected this, but I kind of liked A Hobo’s Christmas. Unlike your normal sentimental christmas fluff, A Hobo’s Christmas is sentimental christmas fluff that actually has some food for thought, plus a relatable situation that speaks for both the adults and the kids. It’s not going to earn my recommendations for your family’s new christmas tradition movie, but for a small, humble made for TV christmas drama it’s surely among the best ones in its class.
A Christmas Without Snow is another made for tv christmas movie, this time about a small church choir getting a new choirmaster and preparing to sing Handel’s Messiah at the Christmas concert. The choir is also joined by Zoe, a teacher who’s just moved to San Francisco from Omaha after her divorce.
The movie introduces quite a wide number of characters and story lines, but still manages go be pretty drowsy and very TV-movie like in its pace of storytelling. It’s not a very christmassy movie, lacking not only snow but that special magic of christmas time, and wouldn’t interest really interest me if it was run again in TV during the holidays.
On a positive note, I did grow fond of many of the characters in the movie, thanks to some believable acting work. Particularly John Houseman deserves a praise here as the demanding but fair and charming choirmaster who delivers his witty lines in a credible and lovable manner.
Babes in Toyland is a kids’ movie that probably should’ve been disqualified from this list, but its interesting cast got the best of me: There’s Keanu Reeves as the male lead, Drew Barrymore as the girl hero who helps to save the day, Richard Mulligan as the antagonist and Pat Morita as the toy master, all delivering some decent acting work as always.
Although the most well known from this years’ christmas movie featurette, the movie is still totally unknown in these parts of the woods and never was a part of our christmas tradition. After seeing it I doubt I’ll make it there either, but the little ones really seemed the enjoy the movie.
Babes in Toyland is enjoyable in the context of being a made-for-TV christmas movie with a well known cast, but adults without any nostalgic connection to the movie should probably look elsewhere for their christmas entertainment.
Vanna White, best known to the general public as the hostess of Wheel of Fortune stars in Goddess of Love, a made-for-TV romantic comedy. Although is safe to say the movie wasn’t destined to steal away any academy awards from the theatrical releases, it’s still somewhat passable as a real movie even if the obvious commercial break transitions are a straight giveaway.
The plot: Zeus turns Venus – the goddess of love – into a statue that turns alive in 1988 Los Angeles, causing all sorts of silly events and misunderstandings to unravel. For a plot this fluffy and trifle the movie is surprisingly entertaining, and even the suspension of how it all will turn out in the end is kept admirably.
While it’s impossible to recommend the movie to anyone and still save one’s face, for those who know what they’re getting into Goddess of Love offers solid 90 minutes of nonchalant – and totally trivial – entertainment.
This Girl for Hire brings elements from film noir movies and pulp fiction to modern age in this a bit tame and sapless but yet somehow intriguing made-for-a-TV movie.
Sometimes a made-for-TV movie can outperform its commercial companions simply by having the liberty to take a more bold stance artistically, instead of aiming just for the lowest common denominator.
Testament is a prime example of a movie like this.
It’s an uneasy and unnerving portrayal of the survivals of a nuclear falloff on a small Californian town and its people trying to cope with the new reality while looking for any glimmer of hope that just seems to keep on slipping further away. It’s a chilling ride that delivers its grim message in a tone that is true to itself.
Timestalkers is a very sympathetic made for TV time travel movie lures one in with its intriguing plot, but regretfully gets defocused and ends up a little more than a glorified western movie.
No chills, no thrills TV-movie does not surprise or offend anyone, and is a easy – but totally forgottable – christmas day pass time for the whole family.
A silly concept that wouldn’t ever fly as a feature film, Tarzan in Manhattan – a made for TV movie – makes for a surprisingly ok watch, despite the wooden acting by the lead.