#1920 Cleo/Leo (1989)

Knowing that Cleo/Leo is a movie put together by a team mostly known of their work in the Adult movies, that I always assumed painfully bad – and so it has waited for a good moment on the shelf for me to finally have the courage to press play.

And sure enough, the movie starts as expected as what feels your typical low budget sex rump of the era, with a pig of a man suddenly turning into a woman and then continuing to act as if she was still a man as the only source from which the movie could draw its comedy. But going forward the movie takes actually quite daring moves with Leo exploring some newly found feminine sides of her world and thinking, finally extending all the way to relationships.

It is these aspects of the movie that actually make it stand out and make it somewhat interesting approach to the often worn out man-turned-woman antics and Veronica Hart in the lead role quite successfully driving the movie forward with her performance.

80s-o-meter: 85%

Total: 67%

#1901 Brenda Starr (1989)

I should have loved Brenda Starr a lot more: a fantasy adventure based on a comic strip taking place in distant, exotic places. But I didn’t.

Reason is, the movie makes a bad case of telling its story, all the way from the comic book artist getting sucked into the world of comics he created, as well as most of the events that follow. There’s baddies and chases and piranhas and all that but nothing that really grasps the viewer. There are a few funny moments of poking fun of the artificial cartoon world, so maybe they should’ve doubled down on this in the first place. To my understanding Brenda Starr not also not a known figure in Europe and is definitely not one in 2024, so this might have hindered my experience also.

Visually the movie is just about perfect, and grasps the sense of adventure well, and the period picture like South American scenes took me back to adventure games like Flight of the Amazon Queen. Brooke Shields and her clothing and mannerisms and stunning dreamy looks fit the role perfectly.

80s-o-meter: 3%

Total: 42%

#1879 Field of Dreams (1989)

A sports movie for those of us who dislike sports movies, Field of Dreams is a fairytale for both adults and kids alike.

No doubt about it; the story itself is totally unbelievable. But like the lead character played by Kevin Costner we find ourselves really wanting to believe in the same silly dream. This is in no way an easy feat from the director Phil Alden Robinson to pull through and the bold gamble put into this movie could have backfired in a horrible way.

Simply put: I loved Field of Dreams, and I especially loved the way way still found it in me to believe in such magic.

80s-o-meter: 65%

Total: 90%

#1876 Blue Vengeance (1989)

Underdog time! An (almost) one man project by J. Christian Ingvordsen, Blue Vengeance depicts a cat and mouse hunt between a rogue cop (Ingvordsen himself) and a psychopathic killer (Mark Trax) shot in a guerrilla style on the streets of New York.

And unlike many similar low budget movies, the team has really put some love in thought into this one and looks good, and also credible in a cool kind of way for which also the memorable antagonist played by Mark Trax contributes, and there is a certain similarity between the the character he creates here and Jackie Estacado, the main character of The Darkness comic series (without the mask, that is).

Blue Vengeance is an uneven ride – but also very refreshingly different from the main stream cinema and definitely one of those rare cases where a shoe lace budgeted action horror manages to better a sizeable portion of its multi million budgeted counterparts.

80s-o-meter: 87%

Total: 82%

#1786 Troll (1986)

Do you know which movie stars the brown haired pre-teen boy called Harry Potter Jr who’s interested in all kinds of magical and superstitious and gets sucked into an adventure full of weird mystical creatures, witches and such.

If you answered Troll, you are quite right! If you answered something else, you must have mixed up this masterpiece with some less known trivial pulp.

The house getting overtaken by Trolls and other magic creatures is bit of a weird mix made a bit in the vein of Gremlins, but does not manage to hit the same buttons in terms of adventure, scares, thrill and humour – but it does a pretty good job attempting it. While the Troll figure is well made, it’s not a strong antagonist lead in any sense of the word, but the remaining visual effects are actually executed much better than in your average movie of the era. Speaking of humour, there is a little song with wonderfully weird atmosphere to it, performed by the Troll army – something I will be looking to listening soon again.

80s-o-meter: 85%

Total: 71%

#1738 Born in Flames (1983)

I guess a point that Born in Flames tries to make is that even with a socialist revolution the women and ethnic minorities would continue to be repressed.

Because that’s the premise of the movie; a socialist revolution has taken place in the USA in the past, but now the women are displeased and want to make another revolution by forming a militant Women’s Army.

I feel there’s a message here that is important, but as a movie the end result shot in this pseudo-documentary style is just not very watchable. Especially the ending with the World Trade Center exploding has not aged very well in the 911 world.

80s-o-meter: 70%

Total: 38%

#1525 Made in Heaven (1987)

Made in Heaven is a movie narrated in two acts: in the first act we see the protagonist as a young boy heading off to California, getting killed in an accident, ending up in heaven and falling in love with another soul.

In the second act they both have been born again, unaware of their previous lives and mutual time together in heaven, and the thrill the movie offers to the viewers is of course the hope of their life lines somehow intertwining, perhaps leading them to find each other once again.

I have to admit I found the movie incredibly dull and slow paced for most of its running time, but the final events did admittedly get to me to the extend of turning the overall experience quite positive. Clearly this concept of soul mates has something special going for it, only if the endless taxiing before final payoff of a takeoff was crafted just a bit more exciting.

80s-o-meter: 55%

Total: 61%

#1493 The Boy Who Could Fly (1986)

After her family moves to an old house, a 14-year old Milly encounters Eric, a young boy shut in his own world.

Soon after befriending him she begins to wonder if there is more to this boy and in his obsession to paper planes and flying, than meets the eye. Two separate site plots follow Milly’s mother struggling to get back to the now-computerised 80s work life, as well as her brother’s struggle with the neighbourhood bullies.

The Boy Who Could Fly is a brief and likeable peek into the life of a suburban family encountering wonderful events, most of which I unfortunately struggled to identify with.

80s-o-meter: 87%

Total: 61%

#1462 She (1984)

After just a few days after suffering through Robot Holocaust I happened to watch She, a similar kind of sword & sorcery adventure set in the future dystopian world.

But where Robot Holocaust failed, She manages to be actually probably the best movie in this sub genre I’ve seen to date. The different factions and places the leads run into are imaginative, but not completely ridiculous and the whole look and feel of the movie reminds me of a post apocalyptic RPG, kind of like Fallout, with less 50s and mutation.

Heck, I enjoyed the movie and can’t but to credit the director/writer Avi Nesher for managing to put together a surprisingly solid movie out of such a shoddy ingredients.

80s-o-meter: 72%

Total: 80%

#1455 Hercules (1983)

The only reason I was looking forward to seeing Hercules was seeing Lou Ferrigno, who here in his peak physical condition arguably out-performed Schwarzenegger himself.

An Italian-American co-production directed by Luigi Cozzi and shot in a movie studio located in Rome, the movie looks and plays pretty much as expected with visuals and effects comparable to similar adventure epics of the 60s; looking nice but outdated, with dodgy stop motion animations.

Ferrigno is likable, and truly possesses the physique of a Hercules – but not the screen presence of Schwarzenegger: he manages to bump up the movie a few notches, but not quite much as his Austrian colleague might’ve. I’ve never been a big fan of Sybil Danning, but after seeing this movie I do understand what her followers have been going on about.

80s-o-meter: 5%

Total: 58%

#1395 Halloween 2020: Scared Stiff (1987)

There seems to be a pattern in my life; watching a movie I run into an actor I’ve never seen before, and the very next movie stars that obscure actor again. With Scared Stiff that actor is Andrew Stevens, who single handedly saved The Terror Within.

Scared Stiff is a quality late 80s horror thriller that mixes in elements of fantasy and imagination where a ghost of a cruel slave trader possesses the father of the family after they move in an old colonial house and discover the dark secrets within. Everything in Scared Stiff takes place firmly in a movie movie world and you will probably enjoy it a lot more if you watch it as a fairy tale rather than a serious cinema for the grown ups.

The movie is visually rich and enjoyable to watch, but as with many movies similar to it, the scares Scared Stiff provides are comparable to a tame Disney ghost ride rather than something that would keep you at the edge of your seat.

80s-o-meter: 91%

Total: 72%

#1361 The Heavenly Kid (1985)

A delight of a comedy, The Heavenly Kid takes the often seen formula of dying and coming back from heaven to rectify one’s wrongdoings and with a few original twists and tweaks makes the concept work.

First of all, Lewis Smith as Bobby, a good willed, but a bit empty headed cool cat is a perfect cast for the role and he is a delight to watch on the silver screen. Also the plot line of Bobby having to deal with his former girlfriend in the current day, now married to his former worst rival makes the whole concept much more interesting.

Lastly, Richard Mulligan adds a certain spark of magic to it all as a Rafferty, the worst ever spectral mentor on a motorcycle.

80s-o-meter: 87%

Total: 88%

#1310 Kiss Me Goodbye (1982)

This is the miracle I had to live to see: James Caan in a uncomfortable role in a very average movie.

To make things worse, Jeff Bridges and Sally Field also waste their time with this romantic comedy that has one of the most annoying premises ever: a late hustler of a husband coming back from the dead to haunt (and annoy) the widow and his new husband to be.

It’s been reported that James Caan – seen performing a cheap Gene Kelly imitation here – hated working in this movie so much that he decided took a five year break from Hollywood to recover and find a suitable script to work with.

80s-o-meter: 60%

Total: 23%

#1258 Date with an Angel (1987)

Whether you enjoy watching Date with an Angel at all depends on if you take it as a weird comedy with a huge credibility problem – or an adult fantasy fairytale that it is.

The sooner I accepted this, the more I started to enjoy the movie, especially considering that in a bigger picture it all kind of made sense in the end. My movie experience went from rolling my eyes, to getting somewhat engaged, to actually wanting to watch the movie again some time in the future.

I’d even consider the movie a triumph for managing to sell the viewer such an implausible setup, and I’d hoped the team had had more courage than to wrap up the movie otherwise than its current compromised crowd pleasing ending.

80s-o-meter: 90%

Total: 81%

#1109 The Dungeonmaster aka Ragewar: The Challenges of Excalibrate and Digital Knights (1984)

The Dungeonmaster is an adventure movie depicting a modern computer programmer that gets transferred to a fantasy lair run by ancient sorcerer who challenges him to tasks of defeating enemies in various modern and historical scenarios.

The Dungeonmaster is actually an anthology: Each one of the seven segments is written and directed by different people, and then tied together with interludes of the lair where the programmer returns victorious after each task. The movie would be totally banal if it didn’t have two distinctive modern 80s segments in it; one involving a serial killer and another, hilariously over the top scenario featuring W.A.S.P.

The movie remains the best known for the wide public as the origin of the like ’I reject your reality and substitute my own’, as quoted by Adam Savage in one of the episodes of the MythBusters. The movie is not worth your time for the quote alone, but you might still find it interesting fast forwarding to check it out, as well as watching through the two aforementioned segments.

80s-o-meter: 75%

Total: 52%

#1077 Elvira: Mistress of the Dark (1988)

Panned by the critics and loved by the broad audience, Elvira: Mistress of the Dark is a wonderfully quirky comedy powered single-handedly by the actress Cassandra Peterson and her wonderful, quick witted late night TV host character.

On the superficial level Elvira, who makes absolutely zero effort to hide her abundant bosom, might seem sexist especially from today’s puritanical point of view. But it has to be noted that this is her fantasy character, created and made iconic on her terms. Far from a victim of male-driven entertainment industry, she’s kind of an epitome of girl power; not willing to take cheap from anyone and ending up on the upper hand thanks to her sharp tongue. And it’s these witty comebacks that are the real comedy core of the movie and did provide plenty of few good laughs along the way.

Had the movie pressed on the gas pedal towards the end instead of sliding to the finish line like it had ran out of gas, and wrapped up without the uninspired Las Vegas bit, my final score might’ve been even more generous than Elvira’s famous cleavage.

80s-o-meter: 91%

Total: 90%

#1001 Mannequin (1987)

If a shopping mall doll coming to life as a real life woman sounds a bit far fetched, no worries; Mannequin has the back story covered from the get go as she’s helped by the Egyptian gods to escape an arranged marriage.

While its kind of a mess as a movie, its kind dodgy storyline, overacting and sheer stupidity become somewhat easier to stomach once you accept that you are actually watching a farce – or a modern fairytale – instead of your typical comedy. With this mindset even the nocturnal musical number inside the shopping mall gets not only tolerable, but actually pretty delightful.

The leads Andrew McCarthy and Kim Cattrall pull through the nonsense with charm. On the other hand James Spader’s overacting as the shopping mall manager is really taxing to watch and the comedic talent of G. W. Bailey is wasted in the dimwit night watchman role written very much in the vein of his Police Academy Lt Harris – minus the funny.

80s-o-meter: 87%

Total: 60%

#989 The Devil and Max Devlin (1981)

A lousy landlord gets a second chance for life after he dies and makes a pact with devil to return to earth to sign in three souls for the eternal damnation in a stuffy old movie called The Devil and Max Devlin, starring Elliott Gould and Bill Cosby.

The landlord goes on to do a little magic mumbo jumbo along the way to help the victims get what they want, but later quite expectedly learns to be less self-centred and not to exchange others’ souls for his freedom. It’s a movie hard to stomach on its own right, but watching the Cosby play the machinating devil feels almost morbid given his recent sentence.

The Devil and Max Devlin is an odd move from The Walt Disney Studios; a misfire with really no apparent target audience to recommend it to.

80s-o-meter: 68%

Total: 17%