Children of a Lesser God seals what I’ve already known about William Hurt: he is one if not the top actor of his generation, but one that has the uncanny ability not to overpower and suffocate other actors despite his strong screen presence, much for the benefit of the movie.
In the Children of a Lesser God he is accompanied by Marlee Matlin who plays an angry young deaf woman who’s been burned before both in love and communicating through sound, and has built a castle of total silence around her. Hurt as her love interest is the first one to get invitation to that fortress, but only if he joins her in that silence.
35 years after its box office date, Children of a Lesser God still feels fresh and interesting, thanks to its exploration into the world of the deaf, a topic not that much covered in mainstream movies, and the way it does not present either of the parties’ sides as the sole truth. First and foremost a love story between the two leads, what I thought was missing from otherwise near perfect movie was how it concentrated on telling the story through Hunt’s characters, and really getting into the deaf world of Sarah, where the real movie magic might’ve started.