#1717 Weekend Pass (1984)

I can add Weekend Pass to the list of movies that I misinterpreted due to its name and, theme and poster.

We’re led to expect a raunchy comedy where three horny sailors go paint the town red, with lots of gratuitous nudity thrown in, but even though Weekend Pass starts off as such movie, it finds a much more interesting tone by exposing the vulnerabilities and insecurities among the sailors, eventually turning into kind of sweet romance movie about them falling in love with three nice girls.

While this was a positive surprise, I doubt that this was the innovation that most of the audience at time was looking for, which may explain the low ratings the movie received.

80s-o-meter: 83%

Total: 78%

#1716 Buddies (1985)

I was delighted to find Buddies, the first movie about AIDS is a non-exploitative one. Directed by Arthur J. Bressan Jr., a director with a long history of gay movies, Buddies feels quite honest in its depiction of the events and characters, never robbing any of the characters their personal traits and sexuality.

The movie is muted in most of its expression as it follows the growing friendship and emerging romance and sexual interest between a young gay man volunteering to be a buddy for an AIDS patient abandoned by his friends and lovers in the final stages of the disease.

A sign of a good movie, Buddies is still thematically relevant, as well as an interesting look into the history of the mid-80s where humanitarian groups had to step in to help for the lack of wider support from the government, and a tribute to those who risked their own safety to help others.

80s-o-meter: 78%

Total: 81%

#1713 Maria’s Lovers (1984)

Andrei Konchalovsky’s 1984 drama follows the story of Ivan, a Yugoslav-American soldier returning home to Pittsburgh traumatised after being held captive in a Japanese POW camp during WW2.

Despite being desperately in love with Maria (Nastassja Kinski) and overcoming his rivals in love, Ivan’s mental health struggles prevent him from fully embracing their relationship physically and mentally. As a result, Maria becomes attracted to a travelling musician casanova.

Maria’s Lovers is visually pleasing movie that has a promise of a great movie written all over it, but ultimately feels confused about what story does it want to tell. The movie is heavy on poetic symbolism that feels similarly intriguing at times, but woefully clumsy at others.

80s-o-meter: 2%

Total: 63%

#1710 Halloween 2022: My Demon Lover (1987)

There’s little fun to be had with movies that introduce a concept doomed to fail, and then fail, but amazingly lot of entertainment when the opposite happens.

My Demon Lover is one of those cases where something I absolutely hated on paper – A street musician becoming a demon when sexually aroused and attacking women – surprises and finds an interesting tone of its own, ending up more of a romantic comedy, sprinkled with some dark, grim humour.

80s-o-meter: 90%

Total: 71%

#1666 Endless Love (1981)

Endless Love is one of those movies that you learn to appreciate much more after you realise it’s a pure work of fiction not even meant to resemble anything that might take place in real life.

It’s after this realisation that you might find yourself enjoying the movie, like myself. In fact the whole concept of a love story gone horribly wrong is a really interesting one, and one that I can’t find any resemblance from the movies I’ve seen.

It’s only the weak, open ended ending that felt to me keeping this movie from greatness; after creating such a bold plot twists I hoped the movie makers had the guts to ride the wave all the way to the ending.

80s-o-meter: 70%

Total: 76%

#1658 Crossing Delancey (1988)

A few good tiles excluded, romantic comedies were never quite my thing, but I’ve grown a bit more understanding for them along the years, and willing to give them a fair chance. That being said, Crossing Delancey seemed on the paper something that I would not enjoy at all: a film with a pretentious title, New York self-centered and someone neurotic characters, and a setting in the people engaged in the literary arts, and embracing that lifestyle.

Not that I don’t like any of that, but I’ve been scarred with so many Henry Jaglom’s movies, or by writer/directors who wish to be the next Jaglom or Woody Allen that I had al the warning signs up. But despite its theme Crossing Delancey does not come across too pretentious, and it’s especially the pickle seller Peter Riegert’s very likeable character that seems to get the most honest, most touching lines in the movie.

Fans of Frasier might be delighted to find David Hyde Pierce in a role of a bookstore clerk, pretty much 1:1 to Niles.

80s-o-meter: 89%

Total: 61%

#1652 In the Mood aka The Woo Woo Kid (1987)

In the Mood is another movie that very likely would not be made today due to its controversial theme of an underage boy falling in love and getting into relationship with married women.

In fact, I was at first curious how the movie was even made back in 1987, until learning that it’s based on the true story of one Sonny Wisecarver, and it was only after that that I begun to enjoy the movie a bit more, as it felt much more credible from thereon. Patrick Dempsey did not seem to mind to portray the young casanova, and it’s all done in a quite uplifting mood and good spirit, and I for one never felt like it was made to promote such activity. This is furthermore aided by the fact that the movie takes places in the 1940, when the times likely were a bit different.

In the Mood will not go into my pile of movies to watch again, but for what it is, it’s still a feel good movie with a lot of good things going for it.

80s-o-meter: 32%

Total: 63%

#1645 Atlantic City aka Atlantic City, USA (1980)

Atlantic City is a movie about transition periods and change. Sally is learning the ropes to be a dealer to be able to leave to Monaco to work on a casino. His former husband, now with Sally’s sister has arrived at the city to makes some money selling drugs, and they run into Lou, a small time old crook looking forward to finally becoming the big shot gangster with the money and a woman he could show off to his Florida pals.

And all this is taking place in Atlantic City that is going through sizeable changes where hotels and casinos of the old glory days are demolished to make room for new buildings.

The real gem in Atlantic City is the interesting array of characters with real yet a bit childish and silly aspirations, and in this sense the movie manages to positively surprise time after time: we don’t have to relate or even like the characters to be able to sympathise with their dreams.

80s-o-meter: 63%

Total: 87%

#1640 Illegally Yours (1988)

Something feels amiss or disconnected throughout Illegally Yours. Perhaps its the nagging feeling of the movie being miscast on most parts, or Peter Bogdanovich’s direction not delivering the story in a convincing way or maybe its the story of a young handsome college dropout nerd stalking his old school love and getting tangled in a trial and murder mystery that just does not click.

There’s a lot to be loved about the movie, and various events and characters have a certain charm, but in the end it’s just somehow much less than the sum of its parts.

80s-o-meter: 85%

Total: 61%

#1634 Almost You (1984)

Listed as a 1984 movie by IMDB, and a March 1985 release according to Wikipedia, Almost You is a small, little known drama comedy of a love triangle (or a square, depending on how you count).

Griffin Dunne and Brooke Adams are a disgruntled New York yuppie couple who get emotionally tangled with a nurse, whose actor boyfriend gets involved in the mess for some reason. All the characters are quite obnoxious and highly unrelatable, the plot feels phoney and the movie subjects us to watch through all of these superficial characters having one of the most dull dinner parties ever with a dialogue written and acted with an blatant intention to be witty, making this inept repartée even more painful to follow.

Almost You is a love movie that fails to make one emotionally, drama that fails to move and a comedy that fails to make one laugh – leaving very little to love about this movie.

80s-o-meter: 84%

Total: 8%

#1619 Foxfire Light (1983)

Romantic drama does not invoke my interest, especially if it looks like a made for TV movie. But Foxfire Light did feel a bit more interesting to me after I learned that Leslie Nielsen – mostly known for me from his comedy roles – stars in it.

Contrary to all the expectations Foxfire Light actually works as a movie, and all the complex relationships shown here do have that soap opera setup for them, but with much more depth added. It’s easy entertainment, but something that still manages to have an actual heart.

80s-o-meter: 80%

Total: 70%

#1617 Lianna (1983)

Look, I don’t know about the history of movies about homosexuality to say how much Lianna was ahead of its time upon its 1983 release – if any – but at least to me the movie felt quite genuine and earnest in its depiction of a housewife suffering from codependency, who then finds consolation and a love interested in the opposite sex.

Earnest in the sense of how the movie depicts the getting out of the closet and the relationship in a quite realistic manner, and as well how Lianna’s codependency is not fixed with getting out of the closet – it just finds a new object, and it’s only when Lianna starts to learn being alone and being comfortable with herself that the growing as a human begins.

80s-o-meter: 81%

Total: 79%

#1567 The Last Fling (1987)

John Ritter and Connie Sellecca, both seasoned TV and made for TV movie actors star in this TV movie made by ABC. As far as made for TV movies go, this one fares very well, resembling your quite average feature film made with a modest budget, and actually got distributed widely as a rental movie as well.

Ritter plays a popular playboy grown tired of one night stands, while Sellecca portrays a role of a fiancée who goes out to try to match her groom’s wild stag party – with dire consequences.

The story is nothing to write to home about, but solid acting work of both leads and good production quality make The Last Fling an a-ok time passer.

80s-o-meter: 90%

Total: 72%

#1566 Tin Men (1987)

Richard Dreyfuss and Danny DeVito, the two best disgruntled, conning scoundrels ever on the silver screen in a movie where they get involved in a massive feud? Sign me in!

Honestly, the movie seems such a good fit for both personas it feels like it was written specifically with these two gentlemen in mind. A story that starts from one bad day and unfortunate accident between two rivalling house aluminium siding salesmen soon gets out of hand, and what seems an bitter downward spiral escalating further and further soon turns out a totally unexpected, beautiful love story.

An already enjoyable comedy, surprisingly it’s this romantic part of Tin Men that ends up its strongest asset.

80s-o-meter: 0%

Total: 91%

#1564 Thief of Hearts (1984)

The second collaboration between producer wizards Don Simpson and Jerry Bruckheimer responsible for such 80s gems as Flashdance, Beverly Hills Cop and Top Gun, Thief of Hearts failed to find its audience in the box office.

The story of a thief falling in love with one of her victims and using ill gained information to win her heart over does not reach the epic levels of Bruckheimer & Simpson’s top movies, but the story is still unique and interesting – basically nothing like I’ve seen before.

There is a moment of bad writing though when the couple finally clashes, as it really feels forced and out of character for the thief figure. But the ultimate plot twist (for the lack of better wording) manages to fully redeem the movie, making for one a totally satisfying finish to the movie.

80s-o-meter: 91%

Total: 80%

#1555 Torch Song Trilogy (1988)

What makes Torch Song Trilogy an above the average movie about gays (and drag) is that is was conceived and lead acted by Harvey Fierstein, an openly gay actor and playwright. This results in a movie that does not aim to explain, sugar coat nor view the gay community through hetero lenses.

A result is refreshing take that portrays all of its characters and their shortcomings, insecurities and sometimes even sheer pettiness in a realistic fashion. Fierstein is a wonderful actor, and a persona on and off stage and his character that often goes from gorgeous to goofy in one scene, depending on the camera direction and his mood swing makes for one of the more interesting and multi-faceted personas seen on screen.

What I did not like about the movie though is how it’s divided in three acts between different eras and lovers as I’d much rather had the movie concentrating on just one time frame in the lifeline of this character.

80s-o-meter: 60%

Total: 74%

#1552 Stardust Memories (1980)

Although I do enjoy Woody Allen’s writing – he is the only author that makes the rich neurotic self centred adults caught in their first world problems movies tolerable – Stardust Memories and its insight into the life of the rich and famous seems more targeted to a selected group of his New York intellectual friends to enjoy, rather than something I could really relate with.

Allen is being his base neurotic screen persona and inconstantly disillusioned in his relationships with the fellow men, especially his love interests. And in this movie there are many of them.

You can’t blame the writing from not being smart; it is – and that if anything is what makes the movie enjoyable. But I left Stardust Memories thinking that a movie needs something more than just endless stream of wittiness to be really enjoyable.

80s-o-meter: 45%

Total: 58%

#1535 Best Friends (1982)

Since the first time I’ve seen this poster, it has been amusing me to no end to how Goldie Hawn looks just dying inside having been forced to nibble Burt Reynolds’ ear.

In real life they were apparently friends though, and Best Friends was a passion project for them that they wanted to do at some point. This is a romantic comedy of a couple that despite the mutual love get hesitantly married in a modest, small chapel, go see the relatives, get fed up with them and finally with each other and split up.

Best Friends is a pretty tame comedy with no laugh out loud moments, and the theme of suffocating relatives has been executed in a better way in many other films, all of which Meet the Parents (2000) being probably the most well known one.

80s-o-meter: 83%

Total: 43%

#1530 Chu Chu and the Philly Flash (1981)

There is one good scene in Chu Chu and the Philly Flash that almost redeems it from its other shortcomings. It’s when the characters finally drop their masks and share the unfortunate life events that landed them where they are now; at the very end of the food chain. Their falling in love is perfectly clumsy and awkward – and perfectly in character.

The rest of the movie does not reach the same standards. Mostly shot in cheap looking studio set the silly story with silly goons going after a silly MacGuffin of a secret government plan.

Alan Arkin is always a pleasure to behold on the silver screen and the hobo character he creates here feels many ways more substantial and complex than the movie itself.

80s-o-meter: 80%

Total: 58%