In the beginning sequence lieutenant Ray Tango rides his Cadillac Allanté ahead of a fleeing 10-wheeler, does a bootlegger’s turn, steps out of his car and forces the 18 ton truck to a full stop with his .38, effectively launching the two henchmen through the windshield. The sequence may be loaned from Jackie Chan’s Police Story, but it still very effectively sets the tone for the following 100 minutes of class A action.
As you may have already gathered, Tango & Cash takes place deep in the alternative world of Hollywood action movies where no restrictions of the normal world apply what it comes to laws of the physics, chases, police stations and even the prisons. There is a good tradeoff to all this thought, as Tango & Cash offers a very entertaining 80s buddy cop movie with a high rate of escapism.
I don’t know how Stallone and Russell fared outside the sets – probably bad due to Stallone’s reputation at the time – but on screen their oil mixed in with water kind of chemistry works a treat, often bursting out in an entertaining way. The always stunning Teri Hatcher provides the visual treat as well as gives the movie its dame in distress motif towards the end.
Speaking of which, the movie is maybe mostly known for its lengthy end part where Tango & Cash ride their armoured custom truck to the enemy base, wreaking all sort of havoc – and this is where the movie unfortunately took a wrong turn that I never really cared for.