Here’s what I’m always looking forward with every movie I put in my VCR to be watched for this blog: a movie that just oozes 80s in some wonderful way.
This definitely holds true with Twice Dead that delivers wonderfully all that 80s goodness a bit in the vein of The Return of the Living Dead, although in a bit less outrageous fashion. The story of a Colorado family moving into a house possessed by ghost of an old is non-sensical, but all that’s besides the point anyway as nobody is here for that: the real entertainment factor of Twice Dead is all in its stereotypes and overall cheesiness.
It’s no The Return of the Living Dead, but those who enjoyed it will likely find themselves right at home the Twice Dead.
Taking design cues from the endless stream of monster movies of the 50s, Monster in the Closet is a horror comedy showcasing an extraterrestrial monster living in the shared space that apparently connects every bedroom closet in the world.
Released by Troma in 1987, the movie takes place in the 80s, but with certain 50s small town flair. Similarly to those classic monster movies, the army is paged in to help, only to find out their bullets or missiles do no harm at all.
The concept may sound silly – it is – but Monster in the Closet makes mostly the best out of it. Mostly, because there is still a lot of design choices here that I can agree with and that end up hurting the movie. The silly looking monster is kind of cool as long as it stays in the closet, but loses a lot of its appeal as when exposed to the viewers for far too long time.
With Death Screams I mentioned one of the characters being one of the most annoying comic relief ever. In Girls Nite Out it seems almost all of the character are like this: goofing off, cracking jokes and faking to have oh so good time, all the time.
..aand it’s oh so annoying most of the time.
Girls Nite Out is one of those easy to forget slashers that does much by the book in an average or less than average way: unforgettable killer, imaginative deaths, iconic theme song or some other distinctive quality are all missing here.
John Wintergate (with extremely short list of movie credits) wrote, directed and starred in this movie called Boardinghouse, where he gets to walk around in a pair of sloggis, exhibit his naked upper body and seduce multiple beautiful women.
Presented as a worn out film copy, and shot in very low production quality, Boardinhouse looks and feels like a sleazy porn movie, minus the porn.
This is one of those movies that the plot feels like it was improvised on the spot – and I’m not saying this as a compliment. It’s hard to find things to compliment in the movie, but I guess a limited number of people may find the total weirdness of the movie interesting in some level.
A sequel to the great 1987 The Stepfather is one of those movies propelled by the success of the original movie, without any original artistic merits in mind.
As a standalone movie Stepfather 2 would be quite an ok thriller, but compared to the first installation it offers so much less of everything. The story now concentrates on one family, when the earlier one managed to muscle in more people and still keep the story interesting, and this is the theme of the movie, a tamed down, VHS sequel of a great original.
The movie offers a good opportunity for the fans of Stepfather to see a little bit more of the same, and Terry O’Quinn is still great and charismatic as the lead. But truth be told, even that fans of the movie would be better off just rewatching the first one.